Posted in Typeface, Visual Language
Brooklyn-based graphic designer Ebon Heath created a series of typographic mobiles called Stereo.type. Heath hand-cuts thousands of letters from Tyvek and assembles them on fishing wire to form lyrics from songs, poems, and other passages of text.
The structures are a physical representation of our language as object. This “visual noise” permeates all aspects of modern culture, especially urban living. From the signs, billboards, stores, and t-shirts that yell with type for attention as you walk down any high street. All the audio and verbal noise, from music we plug our ears with to the din of countless conversations, screams and whispers. With new media of texting, online, and transmitted technology there is even invisible noise silent to the eye surrounding us all. It is this cozy womb of information, data, or chorus of cacophony that my mobiles hope to represent as well as reveal. Making the invisible visible.
The first part was a process of research and development. Creating countless drawings, computer renderings, and three dimensional models to find the desired structural frame work for this new physical typographic language. The visual inspiration for these structures has varied from fishing nets to animal vertebrae, puppets to kites, feathers to scales, domes to parachutes, classical lace to high end couture fashion, traveling from Brooklyn to Andalusia, Berlin to Marrakech, to Carnival in London and Trinidad.